Pattison Piano Matinee: 2nd

Event Information

Venue(s):
Irving Hall

Price: $1.00

Event Type:
Chamber (includes Solo)

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
12 January 2016

Performance Date(s) and Time(s)

20 Apr 1867, 3:00 PM

Performers and/or Works Performed

3)
Composer(s): Unknown composer
4)
aka Bravour-Studien nach Paganini’s Capricen "La Campanella"
Composer(s): Liszt
Participants:  John Nelson Pattison
5)
Composer(s): Chopin
6)
Composer(s): Meyer
Participants:  John Nelson Pattison

Citations

1)
Advertisement: New-York Times, 19 April 1867, 7.
2)
Advertisement: New York Herald, 20 April 1867, 2.
3)
Review: New York Herald, 21 April 1867, 7.

“Glorious weather, with plenty of dust, tempted crowds of amusement seekers to the matinees yesterday, and the number of ladies arrayed in their spring fashion attire cheered the hearts of the anxious managers. First at Irving Hall we had Pattison’s second piano matinee, at which Miss Clementine Barnard, Miss Antonia Henne and Messrs. Strini, Poznanski, Severini, Colby and Groscurth assisted the pianist. The piano part of the the [sic] programme, consisted of Goria’s duet and a concert polka for two pianos, played by Mr. Pattison and Miss Barnard, Liszt’s Campanella, Chopin’s Funeral March, De Myer’s Cricket Polka, and the Doctor of Alcantara, all played by Mr. Pattison, and the vocal part comprised selections from Rossini, Verdi, Beyer, and a Norwegian echo song. The matinee was in general very successful.”     

4)
Review: New-York Times, 22 April 1867, 4.

“…Mr. Pattison gave his second matinée on Saturday, at Irving Hall, and at this he introduced Miss Clementine Barnard in two duets with himself, the first of which—Goria’s ‘March Triumphale,’ for two piano’s [sic] was the better performance. Signor Severeni, Strini, and Miss Antonia Henne were the vocalists.”