New-Yorker Stadt-Theater

Event Information

Venue(s):
New-Yorker Stadt-Theater [45-47 Bowery- post-Sept 1864]

Manager / Director:
Theodor L’Arronge

Event Type:
Play With Music

Record Information

Status:
Published

Last Updated:
14 January 2016

Performance Date(s) and Time(s)

24 Apr 1867, 8:00 PM
25 Apr 1867, 8:00 PM

Program Details

American premiere of Suppe's operetta, cf. Loewenberg and Koegel, p. 400. A concert of straw and wood instruments will be part of the operetta. Mrs. Zerboni’s Benefit on Wed. Full cast list included in ads.

Performers and/or Works Performed

3)
aka Ten girls and no husband; Zehn Madchen und kein Mann
Composer(s): Suppé

Citations

1)
Announcement: New-Yorker Staats-Zeitung und Herold, 21 April 1867, 4.
2)
Announcement: New-Yorker Staats-Zeitung und Herold, 24 April 1867, 8.
3)
Advertisement: New-Yorker Staats-Zeitung und Herold, 24 April 1867.
4)
Announcement: New-Yorker Staats-Zeitung und Herold, 25 April 1867, 8.
5)
Review: New-Yorker Staats-Zeitung und Herold, 25 April 1867, 8.

The theater was full, and both pieces were well received. The operetta was especially enjoyable with its comical plot and fresh, melodious music. We believe it will stay in the repertoire for quite a while. L’Arronge played in both pieces and frequently moved the audience to loud cheers. The military exercises of the ten girls and the music played on the wooden - and straw instruments caused a sensation in the audience; the latter was repeated on request. The stage design and costumes of the operetta are pretty, and it has to be mentioned that the ensemble was well rehearsed.

6)
Review: New-Yorker Staats-Zeitung und Herold, 28 April 1867, 4.

The operetta was thoroughly and well prepared. It is a comical work with original and clever motifs and entertaining and humorous music, little plot yet full of funny scenes. [Plot summary follows] The performance was excellent. Everybody gave their best to contribute to the whole of the show, although individual performances were not always flawless. L’Arronge as the ‘father’ was amusing throughout the entire show. Hübsch, Steglich, Irschick, Schmitz, Hoym, and the rest of the ten [girls] supported him perfectly. The audience was large and enthusiastic during the show. The farce before the operetta was very well performed by L’Arronge and also Klein as ‘the English man;’ the latter has improved much in his acting.