Maretzek Italian Opera: Ernani

Event Information

Venue(s):
Academy of Music

Manager / Director:
Max Maretzek

Conductor(s):
Jaime Nuno

Price: $1; $1.50 reserved; .50 family circle; .25 amphitheatre

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
23 October 2013

Performance Date(s) and Time(s)

08 May 1863, Evening

Program Details



24th Opera Night

Performers and/or Works Performed

1)
Composer(s): Verdi
Text Author: Piave
Participants:  Maretzek Italian Opera Company;  Wilhelm [baritone] Müller (role: Iago);  Ginerva Guerrabella (role: Elvira);  Fernando [bass-baritone] Bellini (role: Carlo Quinto);  Francesco Mazzoleni (role: Ernani);  Hannibal Biachi (role: Don Slyvia);  T. [tenor] Rubio (role: Ricardo);  Johanna Ficher (role: Inez)

Citations

1)
Advertisement: New-York Times, 07 May 1863, 7.

2)
Announcement: New York Herald, 07 May 1863, 7.

3)
Announcement: New York Post, 07 May 1863, 2.

4)
Advertisement: New-York Times, 08 May 1863, 7.
Guerrabella’s first appearance in the role of Elvira.
5)
Announcement: New-York Times, 08 May 1863, 5.
“To-night Verdi’s opera of ‘Ernani’ will be given, with the same fine male distribution that made the work so eminently successful last season.”
6)
Advertisement: New York Herald, 08 May 1863, 7.

7)
Announcement: New-York Daily Tribune, 08 May 1863, 8.

8)
Announcement: New York Post, 08 May 1863.

9)
Advertisement: Courrier des États-Unis, 08 May 1863.

10)
Announcement: Courrier des États-Unis, 08 May 1863.

“Tonight, Ernani sung by Mme Guerrabella, Mazzoleri, Bellini and Biachi.”


11)
Review: New-York Times, 09 May 1863, 4.
Verdi’s ever popular opera of ‘Ernani’ was given here last evening, to a house that was by far the best of the week.  It is a favorite work with our public, and there are enthusiasts who claim that it is the only meritorious production of the composer.  When rendered as it was last night, it is certainly one of the most spirited operas on the Italian stage. [Mazzoleni, Biachi and Bellini] were in themselves an ensemble sufficient to insure the success of the performance.  But when the chorus and orchestra were good as they were last night, the combination is little less than electrical.  The finale to the first act had to be repeated, and during the evening the audience expressed its satisfaction by repeated bursts of applause.”
12)
Review: New York Herald, 09 May 1863, 6.

“The announcement of Verdi’s most pleasing opera, ‘Ernani,’ drew a fashionable and most appreciative audience last evening to the Academy of Music. The performance was a most successful one. All the artists were in excellent voice, and drew from the audience enthusiastic applause. We have never heard Mme. Guerrabella to such advantage as in the role of Elvira. She sang the music sweetly, without any effort, and, from that very fact, was all the more successful. The cavatina in the first act she rendered with great expression and grace, and was loudly applauded. In fact, throughout the opera she received warm tokens of approval. Signora Mazzoleni, Belini and Biachi were also immensely successful. The grand finale of the first act was received amid enthusiastic applause. We lack space to enter into the details of the performance, but would refer especially to the terzetto in the second act, sung by Mme. Guerrabella, Mazzoleni and Biachi, which was never sung with more spirit. It was encored, and as effort was made by the delighted audience to [illeg.] artists to sing it a third time. The finale of the third act stirred the audience up to a similar show of enthusiastic approval. In fact, the opera was successful from the commencement to the end. The artists were all called before the curtain after each act.”

13)
Review: New-York Daily Tribune, 09 May 1863, 8.

“There was a much finer house present last night than might have been expected the excruciating character of the war news of the week considered.  If the laws, as the adage says, yield to arms, the muses must do so likewise.  The city, however, had been enlivened during yesterday by the magnificent reception given to some of the heroes of the late fight; and patriotism found vent in further demonstrations at the opera, instead of hugging solitude and sorrow at home.

The opera of Ernani affords the fullest scope to the energy, resonance and intensity of the leading singers of Mr. Maretzek’s company.  There was a vast deal of applause—what would have been encores, had repetitions been possible—sufficient to have prolonged the piece to an unreasonable length.”
14)
Review: New-York Times, 11 May 1863, 4.
“The past week was an unfavorable one for Mr. Maretzek’s operatic enterprise.  Its opening was in dangerous proximity to the great ‘moving day,’ and its close, with the exception of Saturday, was moist and forbidding.  Notwithstanding these circumstances the spirit of the manager was unflagging, and hence we had four splendid performances—three of them being of Verdi’s new opera of ‘Aroldo,’ and the fourth of the same maestro’s ‘Ernani.’”
15)
Review: New York Herald, 11 May 1863, 4.

Part of article highlighting upcoming performances.

            “Mme. Guerrabella, who sang, last Friday, the role of Elvira with great success, will soon appear in ‘Ione,’ and will doubtless prove equally attractive in that most difficult role. She sang in ‘Ernani’ with expression and sweetness, made no effort to be unusually forcible, and, as we have before stated, was more successful from that very fact. Her stage presence is eminently attractive; she dresses with exquisite taste, and will look the character of Ione to perfection.”

16)
Review: New-York Daily Tribune, 11 May 1863, 3.
Very brief mention.  “A very successful performance.”