Event Information
Venue(s):
Academy of Music
Manager / Director:
Max Maretzek
Conductor(s):
Max Maretzek
Price: $1 all parts of the house
Event Type:
Opera
Record Information
Status:
Published
Last Updated:
29 August 2018
Performance Date(s) and Time(s)
21 Mar 1863, 1:00 PM
Program Details
Performers and/or Works Performed
1)
aka A Masked ball;
Masked ball
Composer(s): Verdi
Citations
1)
Review: Courrier des États-Unis, 23 March 1862.
A bad week at the Opera. The throat ailments have spread and have yielded disappointment upon disappointment to the public. . . . Wednesday, [the doors of the theater] open for Ballo in Maschera; but the role of Mme Medori is filled by Mme Gorrabella [sic] who, with all her charming qualities, didn't know how to make us forget the voice--so powerful and so dramatic--that she replaced. . . .
2)
Advertisement: New York Herald, 19 March 1863, 7.
3)
Advertisement: Courrier des États-Unis, 20 March 1863.
4)
Announcement: New-York Daily Tribune, 20 March 1863, 8.
[T]he third grand Matinée.”
5)
Advertisement: New-York Times, 20 March 1863, 7.
6)
Announcement: Courrier des États-Unis, 21 March 1863.
7)
Advertisement: New-York Times, 21 March 1863, 7.
Maretzek, cond. “[O]n which occasion will be presented, for positively The Only Time, Verdi’s most popular opera, Un Ballo In Maschera.”
8)
Announcement: New-York Times, 21 March 1863, 1.
9)
Advertisement: New York Herald, 21 March 1863, 7.
Main ad and series of small ads with cast information in each.
10)
Review: New York Post, 23 March 1863, 2.
“The matinee on Saturday was well attended and the opera satisfactorily given.”
11)
Review: New York Herald, 23 March 1863, 5.
“Maretzek had last week most convincing proof of the determination of the New York public to fully patronize his grand operatic season. The indisposition of some of his artists, although causing disappointment to both public and manager, did not prevent the attendance of large and fashionable audiences each night that opera was given; while the matinee was also eminently successful.”
12)
Review: Musical Review and World, 28 March 1863, 75.
Doesn’t give specific date of performance. “Bellini had meanwhile an opportunity, to redeem his reputation as a fine artist with a very sonorous voice. His performance in ‘Un Ballo’ was excellent.”
13)
Review: Dwight's Journal of Music, 28 March 1863, 410.
“Il Ballo was given in differently [sic] at the Matinée on Saturday.”
14)
Review: New York Clipper, 28 March 1863, 395.
“’Un Ballo,’ the ‘Traviata’ and ‘Favorita’ were given with Medori left out, and Guerrabella counted in.”