Tony Pastor’s Opera House

Event Information

Venue(s):
Tony Pastor's Opera House

Price: $.35; $.50 reserved

Event Type:
Variety / Vaudeville

Record Information

Status:
Published

Last Updated:
18 August 2023

Performance Date(s) and Time(s)

02 Jan 1871, Matinee
02 Jan 1871, 8:00 PM
03 Jan 1871, 8:00 PM
04 Jan 1871, Matinee
04 Jan 1871, 8:00 PM
05 Jan 1871, 8:00 PM
06 Jan 1871, 8:00 PM
07 Jan 1871, Matinee
07 Jan 1871, 8:00 PM

Performers and/or Works Performed

2)
Composer(s): Winner
Text Author: Winner
3)
aka Home sweet home
Composer(s): Bishop
Text Author: Payne
4)
Participants:  George Murray
5)
Participants:  James Cummings
7)
aka Jack and Gill went up the hill; or, Mary had her little lamb and Harlequin Jack Horner; Mary had her little lamb and Harlequin Jack Horner; Harlequin Jack Horner; Jack and Jill
Text Author: Fox

Citations

1)
Advertisement: New York Herald, 01 January 1871, 2.
2)
Review: New York Clipper, 14 January 1871, 326.

“Miss Leo Gordon, serio comic and character vocalist with rapid changes of costume, Signor Casseletta, violinist, and Dougherty, the musical wonder, were the freshest faces that appeared at Tony Pastor’s during the past week. Miss Gordon has a pretty face, a figure inclined to embonpoint, and a good voice of considerable power. She was liberally applauded, and recalled some five or six times. Signor Casseletta played ‘Listen to the Mocking Bird,’ in the execution of which he displayed some wonderful bowing and fingering, while his imitations of the various notes of the bird were closely true to nature. Being encored, he played ‘Home Sweet Home’ with variations intricate and elaborate. Dougherty, who must not be confounded with Hugh of that name, the celebrated Ethiopian comedian, commenced his performance by playing upon an ordinary tin pipe or whistle, then he played upon two at the same time, and continued increasing until he discoursed eloquent music upon four. He after gave an imitation of the Scottish bagpipes, using as an instrument a large tin coffee pot. His performance was much enjoyed by the audience. George Murray sang several Dutch songs acceptably. Tony Pastor in his songs was warmly applauded, and was compelled to respond to some six or seven encores. Johnny Wild, Frank Kerns, J. A. Graver and others appeared in several sketches, and created much mirth. James Cummings performed a song and dance in a very clever manner, and, after several recalls, executed a dance, which might, not inaptly, be termed a contortion dance, for he certainly threw various parts of his body into the most comical of shapes.”