Dramatic and Musical Entertainment; Benefit for the Women’s Hospital

Event Information

Venue(s):
Robinson Hall

Conductor(s):
L. Albites

Record Information

Status:
Published

Last Updated:
22 April 2024

Performance Date(s) and Time(s)

16 Apr 1872, Evening

Performers and/or Works Performed

1)
Composer(s): Donizetti
Participants:  Federico [baritone] Martinez (role: (Baldassare));  Leon [tenor] Berthelot (role: (Fernando));  Carrie [soprano] Sims (role: (Leonora))

Citations

1)
Announcement: New-York Times, 14 April 1872, 12.
2)
Review: New York Herald, 18 April 1872, 7.

“…Next succeeded the fourth act of ‘La Favorita,’ with Miss Sims as Lenora [see above for other performers]. The two first of these artists, pupils of Signor Albites, who was director on the occasion, are notable examples of what truly fine voices we have in America. Berthelot, in particular, who has sung in opera here several times under the name of Signor Leoni, is a tenore di forza worthy to be classed among some of those foreign artists who have come to this country with a parade of endorsements from European opera houses, and whose claims are extravagant in the highest degree. His voice may become, if he perseveres in his profession, one of the brightest features on the operatic stage.” 

3)
Review: New York Post, 18 April 1872, 2.

“After the play the last act of ‘Favorita’ was given, Miss Carrie Sims taking the part of Leonora, and singing with charming sweetness and purity of intonation. Signor Leoni was the tenor, and in the Spirito gentil elicited warm applause, which he fully deserved. The entire entertainment was decidedly enjoyable.” 

4)
Review: New-York Times, 21 April 1872, 4.

“We are glad to be able to say that the two concerts given for the Woman’s hospital at the hall in Sixteenth-street this week, were both highly successful. The attendance on Tuesday and Thursday was large, and the entertainments given went off with much spirit and acceptance. Their chief features were an adaptation of Scribe’s piece, known to our stage as ‘The Ladies’ Battle,’ and a part of the opera of ‘La Favorita.’ On the second night a concert was substituted for the first-named selection, the fragment of Donizetti’s work being repeated on both. This repetition was well-justified by the creditable recital of Leonora afforded by Miss Carrie Sims, a young amateur whose musical talent is worthy of her personal charms. In the concert of Thursday, Mrs. Yznaga was heard to much advantage, and Mme. Gazzaniga likewise rendered efficient service. It must be highly gratifying to all the benevolent ladies who aided in these benefits that their efforts should have been crowned by such an unequivocal prosperity.”