Maretzek Italian Opera Sunday Concert: 2nd

Event Information

Venue(s):
Grand Opera House

Conductor(s):
Max Maretzek
G. Carlberg

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
16 July 2024

Performance Date(s) and Time(s)

13 Oct 1872, 8:00 PM

Performers and/or Works Performed

2)
aka Merry Wives of Windsor
Composer(s): Nicolai
3)
aka Grand aria
Composer(s): Verdi
5)
aka Blue Danube
Composer(s): Strauss
6)
Composer(s): Meyerbeer
Participants:  Signor [tenor] Abrugnedo
7)
aka Freischutz
Composer(s): Weber
Participants:  Leoni Levielli
8)
aka Guglielmo Tell; William Tell; Introduction
Composer(s): Rossini
10)
aka Tannhauser overture
Composer(s): Wagner
12)
Composer(s): Merker
13)
Composer(s): Berignani
Participants:  Elenor Sanz
14)
aka Rigoletto, quartet
Composer(s): Verdi
15)
aka Prophete. Coronation march; Grand processional march; Krönungsmarsch; Crowning march
Composer(s): Meyerbeer

Citations

1)
Advertisement: New York Herald, 12 October 1872, 2.

Includes program.

2)
Review: New York Clipper, 19 October 1872, 230.

“An improved attendance may be recorded at the Grand Opera House on Oct. 13th. The artists were [see above]. Among the most pleasing numbers may be mentioned ‘Ye Little Brids,’ sung by Miss Rose Hersee with flute oblitgato by Mr. Siedler, which was rapturously encored. One great charm about Miss Hersee’s vocal efforts, in addition to correctness of tune, purity and strength of tone, is the distinct enunciation of the words, each one of which may be clearly understood in the most remote part of the auditorium; an aria from ‘Der Freischutz,’ charmingly rendered by Mme. Levielli, and the famous quartet from ‘Rigoletto’ by Miss Hersee, Mlle. Sanz, Signors Abrugnedo and Moriami. The eight ‘young ladies of society’—although ten had been announced—did not achieve success. They attempted to perform the overture to ‘William Tell’ upon four grand pianos, but being nervous, it was beyond the power of the conductor to keep them in tune, and soon the laughter of the audience put all but two to flight. Those remaining continued to play, and as soon as they could be heard they were greeted with round after round of applause, probably as much for the courage and coolness they had displayed under the circumstances as their musical performances. Quiet continued until they had finished the overture, when they were twice recalled, and in response to continued applause one of the young ladies reappeared and performed a difficult number.”