Rubinstein-Wieniawski-Thomas Concert Combination

Event Information

Venue(s):
Steinway Hall

Conductor(s):
Theodore Thomas [see also Thomas Orchestra]

Event Type:
Orchestral

Record Information

Status:
Published

Last Updated:
10 February 2025

Performance Date(s) and Time(s)

19 Apr 1873, 2:00 PM

Performers and/or Works Performed

2)
Composer(s): Schumann
Participants:  Anton Rubinstein
3)
Composer(s): Rubinstein
Participants:  Anton Rubinstein
4)
Composer(s): Rubinstein
Participants:  Anton Rubinstein
5)
Composer(s): Chopin
Participants:  Anton Rubinstein
6)
aka Poeme d’amour ; Chant de amour
Composer(s): Henselt
Participants:  Anton Rubinstein
7)
aka If I were a bird, I would fly to you
Composer(s): Henselt
Participants:  Anton Rubinstein
8)
Composer(s): Mendelssohn-Bartholdy
Participants:  Henryk Wieniawski
9)
Composer(s): Vieuxtemps
Participants:  Henryk Wieniawski
10)
aka Cavalry march
Composer(s): Schubert
Participants:  Thomas Orchestra

Citations

1)
Advertisement: New-York Times, 12 April 1873, 7.

“Positively last and farewell matinee.” 

2)
Review: New-York Times, 20 April 1873, 6.

“A very fine matinée concert, given by Messrs. Rubinstein and Wieniawski and Mr. Thomas’ orchestra, delighted a large audience at Steinway Hall, yesterday afternoon. Mr. Rubinstein recited, with rare expressiveness and clearness, Schumann’s exquisite concerto in A minor; Mr. Wieniawski contributed the first movement of Mendelssohn’s well-known violin concerto, and had to add to his task a delivery of Vieuxtemps’ ‘Air Varié;’ and the band discoursed, with its wonted precision and effect, a number of familiar pieces.” 

3)
Review: New-York Daily Tribune, 21 April 1873, 2.

“A matinée at Steinway Hall on Saturday gave the Rubinstein, Wieniawski and Theodore Thomas combination another chance of making their ‘positively final farewell appearance.’ Their last appearance, we believe, is to be made somewhat later. What comes after that we are not informed. Rubinstein gave a magnificent rendering of Schumann’s superb A minor concerto, and afterward a group of little pieces—a new Melodie and an Impromptu of his own, one of Chopin’s most exquisite Ballades, two charming pieces by Henselt—‘Chant d’Amour’ and ‘Si Oiseau j’etais.’—and more that was not on the bills. He was in one of his delightful moods, when music seems to flow from his hands in a clear, sparkling, and abundant stream. He was never more poetical, more tender, more sympathetic, and we have rarely known him more brilliant. Mr. Wieniawski played the first movement of Mendelssohn’s violin concerto. The orchestra gave [see above] and a beautiful performance of Schubert’s ‘Cavalry March’ instrumented by Liszt.”