Nilsson Scandinavian Emigrant Protection Society Benefit

Event Information

Venue(s):
Academy of Music

Conductor(s):
S. Behrens

Price: $2 general admission; $1, $2 extra reserved

Event Type:
Opera

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
31 March 2025

Performance Date(s) and Time(s)

02 Dec 1873, 8:00 PM

Performers and/or Works Performed

2)
Composer(s): Wallace
Participants:  Orchestra, unidentified
3)
Composer(s): Rossini
4)
Composer(s): Schumann
Participants:  Lina Luckhardt [piano]
5)
Composer(s): Tallbert
Participants:  Lina Luckhardt [piano]
6)
aka Assisa a pie d’un salice
Composer(s): Rossini
Participants:  Christine Nilsson
7)
aka Blitz, Der ; Eclair, L'
Composer(s): Halévy
Participants:  Victor Capoul
8)
Composer(s): Donizetti
10)
aka Guglielmo Tell; William Tell; Introduction
Composer(s): Rossini
Participants:  Orchestra, unidentified
11)
Participants:  Christine Nilsson
12)
Composer(s): Donizetti
Participants:  Giuseppe Del Puente
14)
Composer(s): Verdi
15)
Composer(s): Hanna
Participants:  Orchestra, unidentified

Citations

1)
Announcement: New York Herald, 23 November 1873, 7.

“Mme. Nilsson cherishes a love for her native country, and expresses it by benevolence toward her countrymen, who are in an evil state and distant from home. She will sing at a concert to be given at the Academy of Music on Tuesday, December 2, for the benefit of the Scandinavian Emigrant Protection Society. Mr. Strakosch also contributes other members of his company.

2)
Announcement: New York Post, 24 November 1873, 4.
“The Scandinavian Emigrant Protective Society, of this city, having appealed to Madame Nilsson to sing at a concert in behalf of the poor coming within the charitable jurisdiction of the society, she has sent to the committee the following response:
 
‘NEW YORK, November 18, 1873.
 
‘Gentlemen: it will afford me the greatest pleasure to sing on Tuesday, the 2d day of December next, for the benefit of our suffering countrymen, since Mr. Strakosch has consented to this act of benevolence and appointed that day.
 
‘I shall always feel happy to come to the assistance of those who suffer far from my native land.
 
‘Be assured, gentlemen, of my sincere regards. CHRISTINE NILSSON-BOURAUD.
 
‘To the Scandinavian Emigrant Protection Society of New York.’
 
The concert will, therefore, take place at the Academy of Music on Tuesday, 2d of December, with the assistance of the orchestra and artists of the Strakosch grand Italian opera company.”
3)
Advertisement: New-York Times, 30 November 1873, 7.

Program.

4)
Advertisement: New York Herald, 30 November 1873, 4.

Program.

5)
Announcement: New York Post, 01 December 1873, 2.
6)
Announcement: New-York Daily Tribune, 01 December 1873, 7.
7)
Announcement: New-York Times, 02 December 1873, 4.

Brief. “[A] grand orchestra will supply the accompaniments and overtures. We observe that the delicious romance from ‘Otello’—‘assisa [sic] al piè d’un salice’—is among the numbers set down for Mme. Nilsson.”

8)
Review: New-York Times, 03 December 1873, 5.

“A concert in aid of a Swedish charity took place at the Academy of Music last night. [Lists performers] and an orchestra under the bâton of Mr. Behrens was in attendance. The only part of the performance calling for notice was Mme. Nilsson’s execution of ‘Assisa al piè d’un salice,’ better known, perhaps, as Rossini’s setting of the ‘Willow Song’ in ‘Otello,’ than by its Italian title. A good deal has been done since Rossini composed ‘Otello’ toward increasing a musician’s resources, and the delicate orchestral writing of ‘Il Barbiere’ can hardly be considered effective after the works of Meyerbeer and Wagner. But the gift of creating melodies which, by pure beauty, will outlive the happiest combinations, has seemingly been lost. Nothing has been heard since ‘Otello’ that will surpass ‘Assisa al piè d’un salice’ in pathetic sweetness and grace, and Mme. Nilsson, who proved herself an admirable Desdemona, in London, three years ago, yesterday sang the air with a variety of coloring and an expressiveness, offering, in our judgment, as convincing evidence of her art as she has yet afforded. We are sorry to say that the audience was very small.”