Article on Charley Fox

 Includes a drawing of Fox on p.145.

“This peculiarly original and celebrated composer of Ethiopian eccentricities and justly very popular banjoist . . . was born in Brooklyn, N.Y., November 15, 1828. . . .

His first appearance before the public in the disguise of burnt cork was during the year of 1848, as a violinist to an amateur company bearing the name of ‘Fox’s African Minstrels, and played at Stapleton, Staten Island. . . . In 1854, wearied out by leading a strolling life, he resolved to become attached to a permanent organization and settle down in New York; since which time he has been employed in companies of great respectability.  In 1861 he was attached to Hooley’s Minstrels. . . . At the opening by Mr. Wood of his New Marble Minstrel Hall on Broadway, in 1862, he took one of the ends as ‘Tambo.’  This ‘posish’ he holds at present. . . . There is always an artistic finish about everything he essays, whether in song, dance or repartee. . . . He has quite a long list of songs, many of which are very popular with the public, among them are ‘What Can’t be Cured,’ Blow Ye Winds,’ ‘Johnny’s Equal is not Here,’ ‘If Your Foot is Pretty, Show It,’ and ‘Kingdom Coming.’  His banjo solos, many of which are original with him, are always given with much spirit, and sure of a hearty re-call.  As an end-man, he is a very valuable acquisition to any first class band, and the great popularity which he now enjoys at Wood’s Minstrels is a sure guarantee of his being a comedian of the highest standing.”