Olympic Theatre

Event Information

Venue(s):
Olympic Theatre

Conductor(s):
H. T. Dyring

Price: $.50; $1 reserved seat; $.25 family circle

Event Type:
Variety / Vaudeville

Record Information

Status:
Published

Last Updated:
1 June 2025

Performance Date(s) and Time(s)

10 Aug 1874, Evening
11 Aug 1874, Evening
12 Aug 1874, Matinee
12 Aug 1874, Evening
13 Aug 1874, Evening
14 Aug 1874, Evening
15 Aug 1874, Matinee
15 Aug 1874, Evening

Performers and/or Works Performed

3)
Participants:  Tony Pastor;  Kitty Brooke
4)
aka Clog reel
Participants:  Jennie Benson

Citations

1)
Advertisement: New York Herald, 09 August 1874, 9.

Prologue, prior to the winter season’s opening in two weeks.

2)
Review: New York Herald, 11 August 1874, 7.

“…Tony Pastor, in three of his most popular songs, sung with a vim which made the house ring, and for an encore he gave a song illustrated with dissolving pictures of scenes of American and European history…” 

3)
Review: New York Sun, 12 August 1874, 2.

Brief; no mention of music. 

4)
Review: New York Clipper, 22 August 1874, 166.

Description of improvements to the theatre. “…an overture by H. T. Dyring and orchestra opened the entertainments…Miss Kitty Brooke sang a number of serio-comic songs with dash, and terminated her performance with a graceful hornpipe, which elicited liberal applause…Tony Pastor received a most enthusiastic welcome, as he stepped upon the stage. He sang several of his most popular songs, including the one during which stereoscopic pictures are exhibited. All were liberally applauded, and Tony with much good-nature replied to numerous encores…Gus Williams was warmly welcomed, and sang with his accustomed excellence a number of fresh Dutch songs, which kept the audience in an almost constant stage of laughter. The introduced dialogue of one of them was very funny, and fairly bristled with wit. Walters and Morton, excellent song-and-dance men, were advantageously seen in their specialties…Baby Benson astonished the audience by her precocity, and delighted them by her archness and winning grace. She shows marked improvement in her songs-and-dances. Billy Ashcroft gave his Ethiopian speciality of ‘The Funny Old Gal,’ and wound up by performing upon a great number of musical instruments…The theatre was crowded on the opening night…”