Théâtre Français

Event Information

Venue(s):
Niblo's Concert Saloon

Event Type:
Opera, Variety / Vaudeville

Record Information

Status:
Published

Last Updated:
2 August 2013

Performance Date(s) and Time(s)

12 Jan 1864, 8:00 PM

Program Details



Performers and/or Works Performed

2)
aka Tromb-al-ca-zar
Composer(s): Offenbach
Text Author: Dupeuty, Bourget
3)
aka Bella manola, La
Participants:  Pauline Grossi
4)
aka Pas de fascination
Composer(s): Meyerbeer
5)
aka Joy is dangerous.
Text Author: Girardin

Citations

1)
Advertisement: New-York Times, 10 January 1864, 7.
Grosse.
2)
Advertisement: New-Yorker Staats-Zeitung und Herold, 10 January 1864, 6.
3)
Advertisement: New York Herald, 11 January 1864.
Grosse.
4)
Announcement: New-York Times, 11 January 1864, 4.

5)
Advertisement: Courrier des États-Unis, 11 January 1864.

6)
Advertisement: New-Yorker Staats-Zeitung und Herold, 11 January 1864, 6.
7)
Advertisement: New-York Times, 12 January 1864, 7.

8)
Announcement: Courrier des États-Unis, 12 January 1864.
Tonight’s program is appropriate for those who love to cry and those who love to laugh.  It offers the contrast of one of the most touching comedies of the Théâtre Français [of Paris] and one of the greatest drolleries of the Théâtre des Bouffes Parisiennes.  In addition, Chol and Edgard will dance the pas, “La fascination,” from Robert le Diable, in a choreographed intermède that also includes the serious dance of Mme. Pauline Grossi.  Thus, there will be opera, ballet, and comedy in the same evening.
9)
Advertisement: New-Yorker Staats-Zeitung und Herold, 12 January 1864.

10)
Review: New-Yorker Staats-Zeitung und Herold, 14 January 1864.

 

“On Tuesday night, visitors to the French Theater were offered a rich program. The actors presented the one-act comedy, ‘La joie fait peur,’ in such a manner that nothing was wanting. Miss Anna Hamburg and Mme. Bergeon played their respective roles with exquisite understanding. Mr. Juignet, who appeared for the first time on stage after a long absence, played splendidly the minor role of an aged domestic servant, who feels every joy and every pain of his masters.  The other actors, Messrs. Fage and Pelletier, carried out their roles equally well.
 
Tromb-al-ca-zar was staged with much taste. Miss Maillet, about whom we rendered a favorable opinion earlier, sang with naïveté and taste. Donatien, Edgard and Roche received abundant and well-deserved applause for their excellent performances. Regarding the musical value of this work, it is not considered one of Offenbach’s best. We would like to hear it again, however, because of its comical aspects. The national dance, ‘La Manola,’ was performed nicely by Mad. Pauline Grosed.”