Maretzek Italian Opera: Lucrezia Borgia

Event Information

Venue(s):
Academy of Music

Manager / Director:
Max Maretzek

Conductor(s):
Auguste Predigam

Price: 7/21

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
29 August 2018

Performance Date(s) and Time(s)

14 Oct 1864, 8:00 PM

Program Details

Seventh subscription night.

Performers and/or Works Performed

1)
aka Lucretia Borgia
Composer(s): Donizetti
Text Author: Romani
Participants:  Maretzek Italian Opera Company;  Guglielmo Lotti;  Augustino Susini (role: the Duke);  Catarina Morensi (role: Maffio Orsini);  Fernando [bass-baritone] Bellini;  Carlotta Carozzi-Zucchi (role: Lucrezia)

Citations

1)
Announcement: Courrier des États-Unis, 10 October 1864.

2)
Announcement: New York Herald, 13 October 1864.

3)
Advertisement: New York Herald, 13 October 1864.

4)
Announcement: New York Post, 13 October 1864.

5)
Announcement: New-Yorker Staats-Zeitung und Herold, 13 October 1864.

6)
Announcement: New York Herald, 14 October 1864, 4.

7)
Advertisement: New-York Times, 14 October 1864, 7.

8)
Announcement: New-Yorker Staats-Zeitung und Herold, 14 October 1864.

9)
Review: New-York Times, 15 October 1864.

“Amusements. Academy of Music.—The repetition of ‘Lucrezia Borgia’ last evening attracted another good house, and the performance was generally and specifically good. Signora ZUCCHI was in excellent voice, and acted finely. Mlle. Morensi as Massio Orsini looked the part charmingly, and sang with much spirit. We were much satisfied with Signor LOTTI, and Signor SUSINI, too, was in steady and tremendous voice. The orchestra and chorus, under the able direction of Mr. PREDIGAM, were both capital.”

10)
Review: Courrier des États-Unis, 17 October 1864, 1.
The trio of Act II was encored.  Ensembles should not be encored, because they demand a great expense of force and energy.  Repeating a couplet de romance or even a chorus is not a regrettable practice.
11)
Review: New-York Times, 17 October 1864.
“The performance of ‘Lucrezia Borgia’ on Friday night was in all respects excellent. There was not a drawback to the general spirit and frequent delicacy of the rendering—except in the last act, where, in the skuffle which precedes the Brindizi [sic], both Maffio, Orsini, and Genarro forgot that they were before the audience, and enjoyed a very agreeable romp at precisely the moment where it was most ill-timed and inconvenient. When a hot-headed youth seizes a knife for the purpose of emboweling it in an adversary, it is hardly seasonable to make merry.”
12)
Review: Dwight's Journal of Music, 29 October 1864, 336.
“Lucrezia Borgia, with Zucchi, Morensi, Lotti, Susini and Weinlich, was very finely rendered.”