Maretzek Italian Opera: Don Giovanni

Event Information

Venue(s):
Academy of Music

Manager / Director:
Max Maretzek

Price: $1.00

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
26 April 2013

Performance Date(s) and Time(s)

24 Mar 1866, 11:00 AM

Program Details



Performers and/or Works Performed

1)
aka Dissoluto punito, Il; ossia Il Don Giovanni Libertine Punished, The; or Don Giovanni
Composer(s): Mozart
Text Author: da Ponte
Participants:  Maretzek Italian Opera Company;  Carlotta Carozzi-Zucchi (role: Donna Anna);  Ettore Irfre (role: Don Octavio);  Clara Louise Kellogg (role: Zerlina);  Fernando [bass-baritone] Bellini (role: Don Giovanni)

Citations

1)
Advertisement: New-York Times, 21 March 1866.
2)
Announcement: New-York Times, 23 March 1866, 4.

“Our lady friends are in good luck to have [Don
Giovanni
] at their own special performance.”

3)
Announcement: New-York Daily Tribune, 23 March 1866, 4.

“Thousands of persons desire to hear Mozart’s immortal work, who, for many reasons, cannot attend the opera at night.”

4)
Advertisement: New-Yorker Staats-Zeitung und Herold, 23 March 1866.
5)
Announcement: New-York Times, 24 March 1866, 4.

Notes early starting time.

6)
Announcement: New-York Daily Tribune, 24 March 1866, 6.
7)
Review: New-Yorker Musik-Zeitung, 26 March 1866, 157.

[Preliminary translation]

"Opera was performed with the secondary cast, which seemed like 'musical slaughter.'"

8)
Review: New-York Daily Tribune, 26 March 1866, 4.

“The opera of Il Don Giovanni attracted a very large audience to the matinee of Saturday morning.  Many hundreds were disappointed, owing to the change in the hour of commencement, which was not as generally known as it should have been. The opera was fairly performed throughout, and is some respects grandly, Zucchi rendering the character of Donna Anna with great vocal and dramatic power; Bellini personated the dashing Don in a spirited manner, and Irfre sang sweetly and smoothly.  The cast of characters not being anywhere announced, it was generally supposed that the part of Zerlina would be sustained by Miss Kellogg, and much disappointment was expressed when, on the bills of the day, Miss Adelaide Phillips was announced to sustain that part. Miss Phillips, of course, sung the music like a true artist, but it is as little suited to her voice as the character is to her natural style. The general excellence of the performance, however, satisfied the discontented, and the music exercised its usual spell upon all.”