Thomas Popular Garden Concert: 36th

Event Information

Venue(s):
Terrace Garden

Proprietor / Lessee:
7th Ave. between 58th and 59th Sts. Central Park Garden

Conductor(s):
Theodore Thomas [see also Thomas Orchestra]

Price: $.25

Event Type:
Orchestral

Performance Forces:
Instrumental

Record Information

Status:
Published

Last Updated:
8 November 2017

Performance Date(s) and Time(s)

17 Jul 1866, 8:00 PM

Performers and/or Works Performed

2)
Composer(s): Donizetti
3)
Composer(s): Donizetti
4)
Composer(s): Flotow
5)
Composer(s): Lanner
7)
aka Brightest eyes; Schonsten Augen
Composer(s): Stigelli
8)
aka Introduction
Composer(s): Hérold
9)
aka potpourri; William Tell potpourri
Composer(s): Rossini

Citations

1)
Announcement: New York Herald, 16 July 1866, 5.

"THEODORE THOMAS' ORCHESTRAL GARDEN CONCERTS.

These excellent entertainments will be given every evening this week at Koch's Terrace Garden, on Third avenue. On Tuesday and Friday a classical programme will be presented. The audiences at these concerts seem to increase instead of diminishing, notwithstanding the height of the thermometer."

2)
Advertisement: New-Yorker Staats-Zeitung und Herold, 17 July 1866, 6.

No program given.

3)
Advertisement: New-York Daily Tribune, 17 July 1866, 3.

No program given.

4)
Advertisement: New York Post, 17 July 1866.

No program given.

5)
Advertisement: New York Herald, 17 July 1866, 7.

No program given.

6)
Advertisement: New-York Times, 17 July 1866, 7.

No program given.

7)
Review: New York Herald, 19 July 1866, 8.

“On Tuesday evening, despite the excessive heat a large audience gathered at the Terrace Garden. The programme offered by Mr. Thomas was good and varied. A march and chorus from Poliuto, the overture to Stradella, a waltz, ‘Die Petersburger,’ by Lanner, and an entre-act [sic] and chorus from the ‘Brewer of Preston,’ by Adam, were all performed in excellent style. An unlooked-for interruption here made its appearance; rain came pouring down in torrents, and audience and musicians were obliged to adjourn to the spacious hall connected with the establishment. After an intermission of almost an hour the music was continued, though some important pieces were left out, in consequence of the lateness of the hour. A solo for the French horn, ‘Brightest Eyes,’ by Stigelli, with Mr. Henry Schmidt as soloist, was a most graceful performance. The overture to Tampa [sic], by Herold, was played with spirit. A selection from William Tell, and a few more light pieces put the audience in thorough good humor, despite the interruption of thunder and rain.”