Ice Witch

Event Information

Venue(s):
Olympic Theatre

Manager / Director:
Leonard Grover

Conductor(s):
Thomas Baker

Event Type:
Play With Music

Record Information

Status:
Published

Last Updated:
26 July 2016

Performance Date(s) and Time(s)

30 Jul 1866, Evening

Performers and/or Works Performed

1)
aka Frozen hand
Text Author: Buckstone, Daniel
Participants:  Grover German Opera Company, chorus;  Mark Smith (role: Snora);  Kate Newton;  George H. [actor] Clarke (role: Harold, the Sea King);  Emma Webb (role: Lady Ulla);  Ada Webb

Citations

1)
Advertisement: New-York Times, 30 July 1866, 7.
2)
Advertisement: New York Post, 30 July 1866.
3)
Advertisement: New-York Daily Tribune, 31 July 1866.
4)
Review: New-York Times, 31 July 1866, 4.

Mark Smith’s inimitable song on ‘Woman,’ the graceful dancing of the Misses Fowler and Miss Wood, the icy beauty of Miss Kate Newton as the Polar Goddess, and the charming versatility of the Webb sisters complete a goodly programme, to which, however, Mr. Grover has liberally added a rich treat in the German opera chorus, who well sustain their part.”

5)
Review: New-York Times, 01 August 1866, 4.

“This jolly spectacularism has been vastly improved, and now really deserves the large audiences that nightly greet its fun and frolic.”

6)
Review: New-York Times, 03 August 1866, 4.

Mark Smith has been relieved by Mr. Lamb, which is not a change for the better. Mark is about commencing a starring tour, and Lamb assumes the rôle of Snora without the requisite rehearsal.  He is not good.  A beautiful and most novel tableau has been adopted, instead of the bungling finale heretofore given.  As an exponent of the capabilities of artistic endeavor, we have rarely seen it equaled.”

7)
Review: New-York Times, 04 August 1866, 4.

“The orchestra, under the skillful baton of Dr. Baker, is the best in the city, and decided feature.”

8)
Review: New-York Times, 06 August 1866, 4.

“Mr. Lamb is not in season with his voice, and it would be quite as agreeable to the audience if more music and less offensive gaggery were his forte. . . . The grand German chorus are nightly encored, and deservedly; the music, under the skillful baton of Mr. Baker, is better than ever, and the grand closing tableau is the best of its kind produced here for years.”