Wolfsohn Beethoven Concert Matinee: 5th

“Mr. Carl Wolfsohn yesterday gave his fifth Beethoven matinee at Steinway’s Rooms. The audience was decidedly large and appreciative, and the attention bestowed upon the performance warranted the belief that entertainments embracing the execution of none but classical music, will ere long become extremely popular. Mr. Wolfsohn played the sonata in G major, op. 14, No. 2, that in D major, op. 10, No. 3, and that in C major, op. 53; his rendering of the latter work being particularly applauded. Mr. J. W. Pollack sang two of Franz Schubert’s songs, and one of Schumann’s favorite compositions.”

“Of Carl Wolfsohn’s admirable matinee of Beethoven’s Sonatas on Saturday [sic] we have little to say but praise. Mr. Wolfsohn’s venture upon giving concerts entirely of classical music is to be applauded, and there is every reason to believe will enjoy the high appreciation which it deserves. In Philadelphia, Mr. Wolfsohn has devoted more than six years to the study and exposition of classical music, especially of Beethoven, and we are aware that no one has done more in this respect for the musical education of the public of that city. His style as a performer has steadily broadened and progressed; and to the interpretation of thought and study, and instrumental attainment, which have won the sympathy and praise of students. Good features of Mr. Wolfsohn’s vocal programme are the songs of Schubert and Schumann.”

[Musical analysis and interpreation of D major and G major.]

...The D major sonata belongs to the weakest of the master and thus is not as popular. The G major sonata, however, is liked very much. It depicts an argument between a man and a woman or two lovers. The C major sonata is certainly on a higher level; here the master reaches deep into his soul. Technically this work is very demanding and thus is very impressive. 

[Concludes with more analysis and interpretation of the latter work.]

The venue was almost filled; the concert well received. Besides Wolfsohn’s skillful performance, the order of the excellent program was well-chosen. Wolfsohn especially excelled in the piano sonata in C major. He seemed to transcend the limitations of his physical strength.