Sunday Evening Concert: 10th

Event Information

Venue(s):
Irving Hall

Manager / Director:
Lafayette F. Harrison

Conductor(s):
Theodore Thomas [see also Thomas Orchestra]

Price: $.50

Event Type:
Orchestral

Performance Forces:
Instrumental, Vocal

Record Information

Status:
Published

Last Updated:
6 December 2017

Performance Date(s) and Time(s)

04 Nov 1866, 8:00 PM

Program Details

Orchestra of forty.

Severini's second appearance in New York.

Performers and/or Works Performed

2)
aka Preludes, Les
Composer(s): Liszt
3)
aka Drommebilleder; Drømme Billeder fantasi; Traumbilder potpourri; Traumbilder selections; Traumbilder fantasie; Visions in a Dream; Pictures of dreams; Frambileter; Fraumbileter
Composer(s): Lumbye
Participants:  Eduard Heindl
4)
aka Merry Wives of Windsor
Composer(s): Nicolai
5)
aka Alla turca; Türkischer Marsch; Turkish March; Allegretto in A minor
Composer(s): Mozart
6)
aka Come into the garden Maude
Composer(s): Balfe
Text Author: Tennyson
Participants:  Signor Severini
7)
aka Ye merry birds
Composer(s): Voigt
Participants:  Signor Severini
8)
Composer(s): Unknown composer
9)
Composer(s): Unknown composer
Participants:  Alfred F. Toulmin [harp]

Citations

1)
Announcement: New York Herald, 29 October 1866, 5.

Brief; at conclusion of review of the ninth concert in the series. "The tenth concert will take place on Sunday next."

2)
Advertisement: New-York Times, 02 November 1866, 7.

Includes performers and partial program.

3)
Advertisement: New York Herald, 02 November 1866, 7.
4)
Announcement: New-York Times, 03 November 1866, 4.

Announces program and performers. Concludes: "After the present week the Sunday concerts will be removed to Steinway Hall. They have outgrown the capacity of the beautiful edifice where they are now given."

5)
Announcement: New York Herald, 04 November 1866, 5.

Announces program and performers. Concludes: "The eleventh concert will take place November 11, at Steinway Hall."

6)
Review: New York Herald, 06 November 1866, 5.

     “Liszt’s Preludes were brought out at the last Sunday concert at Irving Hall. Having taken his subject from one of Lamartine’s nonsensical ‘meditations,’ the composer, in a boldly outlined but too highly colored picture, huddles together the most violent contrasts, and sets aside all rule for the purpose of introducing some outlandish effects. The orchestral massing in the martial movements, however, is really grand and soul-inspiring, and partially redeems the mediocrity of the rest of the work. On the occasion we refer to the programme comprised the overture to the Merry Wives of Windsor, a horn solo by Mr. Schmidt, with flute obligato by Mr. Eben; a harp solo by Mr. Toulmin, and soli by Mr. Pollack and Signor Severini. The latter utterly destroyed the effect of ‘Come Into the Garden, Maud,’ and ‘Ye Merry Birds,’ there not being a redeeming quality in his rendering of the two songs.”