J. B. Poznanski’s Quartet Soirees: 5th

Event Information

Venue(s):
Steck’s Music Hall

Price: $1

Event Type:
Chamber (includes Solo)

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
23 November 2015

Performance Date(s) and Time(s)

14 Feb 1867, 8:00 PM

Program Details

“The grand Piano used at these Soirees is from the celebrated manufactory of George Steck & Co.” (NYH 02/14/67).

Performers and/or Works Performed

3)
aka Treu lieb' ich dich
Composer(s): Marschner
Participants:  J. H. Pollack
4)
aka Moonlight; Quasi una fantasia
Composer(s): Beethoven
Participants:  H. Kalliwoda
5)
aka Freischutz, Der. Und ob die Wolke sie verhülle; And even if clouds; Agathe’s prayer; Preghiera
Composer(s): Weber
Participants:  Eliza Pfaffmann
6)
Composer(s): Dessauer
Text Author: Eichendorff
Participants:  J. H. Pollack
7)
Composer(s): Schumann
Participants:  J. H. Pollack

Citations

1)
Advertisement: New York Herald, 14 February 1867, 1.
2)
Advertisement: New-Yorker Staats-Zeitung und Herold, 14 February 1867.
3)
Review: New York Herald, 15 February 1867, 5.

“The fifth of the quartette soirees by J. B. Poznanski was given last evening at Anschütz’s Music Institute. Two quartettes were given, the first from Mendelssohn’s opus 13, beginning ‘Ist in Wahr,’ and the other by Spohr, in E minor. The thema of the first was prettily sung by Miss Pfaffmann, a pupil of the Institute, but the instrumentation was provocative, at least, of a compound earache.  Mendelssohn would scarcely recognize his work in the series of scratchings indulged in by Messrs. Poznanski, Schwarz, Bernstein, und Liesegang.  Beethoven would also be much puzzled to recognize his beautiful sonata ‘Moonlight,’ in C minor, which Herr Kalliwoda essayed on the piano. Miss Pfaffman sang an aria from Freischutz and Mr. J. Pollock, another pupil of the institute, sang Marschner’s ‘Treu lieb ich dich?’ and ‘Wenn ich in Deine Augen seh,’ by Schumann and Lockung, by Dessauer.”

4)
Review: New-Yorker Staats-Zeitung und Herold, 15 February 1867, 8.

Mendelsohn’s and Spohr’s works were played with understanding and confidence. Pollack sang his three songs with artistic perfection which was richly awarded with applause. Miss Pfaffmann sang the aria “Und wenn die Wolken sie verhüllen” with more skill than can be expected of such a young singer. However, we do not consider it appropriate to brag with skillful students. Kalliwoda performed the “Moonlight Sonata” with not much more than technical skill.