Sacred Sunday Concert: 7th

Event Information

Venue(s):
Olympic Theatre

Conductor(s):
Adolph Neuendorff

Price: $.25; $.50; $.75, reserved seats

Event Type:
Choral, Orchestral

Performance Forces:
Instrumental, Vocal

Record Information

Status:
Published

Last Updated:
30 September 2016

Performance Date(s) and Time(s)

21 Oct 1866, 8:00 PM

Performers and/or Works Performed

2)
aka Tannhauser overture
Composer(s): Wagner
4)
Composer(s): Donizetti
Participants:  Natalie Seelig
5)
Composer(s): Proch
Participants:  Henry Mattison
6)
aka Acenlauten
Composer(s): Methfessel
Participants:  Germania Glee Club
7)
aka Africaine potpourri
Composer(s): Meyerbeer
8)
Composer(s): Vierling
9)
Composer(s): Thomas
Participants:  Henry Mattison
10)
Composer(s): Rossini
Participants:  Natalie Seelig
11)
Composer(s): Abt
Participants:  Germania Glee Club
12)
aka Prophete. Coronation march; Grand processional march; Krönungsmarsch; Crowning march
Composer(s): Meyerbeer

Citations

1)
Advertisement: New-York Times, 20 October 1866, 7.
2)
Advertisement: New-Yorker Staats-Zeitung und Herold, 20 October 1866, 6.
3)
Advertisement: New-York Times, 21 October 1866, 7.

Includes program.

4)
Review: New York Sun, 22 October 1866, 4.

“Two so-called sacred concerts were given last night. One of them took place at the Olympic Theatre—the other came off at Irving Hall. The attendance at both was good—good enough, in fact, to deserve something better in the way of music than was offered at either. If the ‘selections’ that were given (instrumental as well as vocal) were chosen for their ‘sacred’ character, it is to be feared that the notion of what is holy must be rather limited in the minds of the framers of the programmes at both places. Ballads of unrequited ‘love’ have not hitherto come under the classification of religious music, nor have the lighter operatic melodies been considered very referential or godly! Half the music played and sung at the concerts last evening were of these orders; although at Irving Hall Mr. Theodore Thomas indulged, as usual, in a ‘Theme’ and ‘Symphony’ or two, which are not (as a general thing) as sacred as they are soporific.  These Sunday night concerts threaten to become popular, but before they become entirely so, or altogether worthy of extended favor, the singers in them must be of a better order, and the managers must come from behind their present hypocritical mask and call their entertainments something else than ‘Sacred’—for they are certainly anything else!”

5)
Article: New-Yorker Musik-Zeitung, 24 October 1866, 185.

Grover will continue his Sunday concerts at the Olympic Theatre despite the departure of his ensemble. The gifted young conductor Adolf Neuendorf is performing satisfactorily.

6)
Article: New-Yorker Musik-Zeitung, 31 October 1866, 201.

Grover has discontinued his Sunday concerts for unknown reasons.