Performance Date(s) and Time(s)
29 Jul 1867, 8:00 PM
Program Details
The following pieces are marked as "new" in the citations, which indicates that they are either new to America or new to the Popular Garden concert series:
Strauss:Die Libelle, op. 204
Strauss: Wildfeuer, op. 313
(The first concert at which Thomas began to premiere new works in this concert series was the Thomas Popular Garden Concert: 19th on 07/02/67.)
Performers and/or Works Performed
2)
aka Midsummer night's dream, A;
wedding march
Composer(s): Mendelssohn-Bartholdy
3)
aka Introduction
Composer(s): Mozart
6)
aka Guglielmo Tell;
William Tell;
Introduction
Composer(s): Rossini
7)
aka Devil's darning needle;
Sibelle
Composer(s): Strauss
8)
Composer(s): Vieuxtemps
9)
Composer(s): Unknown composer
10)
aka Tag in Wien;
Day in Vienna;
Morning, noon and night in Vienna
Composer(s): Suppé
11)
Composer(s): Schubert
12)
aka Burgersinn
Composer(s): Strauss
Citations
1)
Advertisement: New York Herald, 29 July 1867, 2.
2)
Advertisement: New-York Times, 29 July 1867, 7.
3)
Advertisement: New-Yorker Staats-Zeitung und Herold, 29 July 1867, 6.
4)
Advertisement: New-York Daily Tribune, 29 July 1867, 7.
5)
Review: New York Post, 30 July 1867, 2.
"Theodore Thomas's delightful out-of-doors concerts continue to attract large audiences to Terrace Garden. The programme of last evening was unusually good, including overtures by Mozart, Rossini and Suppe, and the familiar 'Wedding March,' a delicious 'Reverie' by Viexutemps, Schubert's 'Wanderer,' the amusing burlesque 'Carnival of Venice,' and sundry polkas and waltzes by Strauss. The overture to 'William Tell' was boisterously encored, but Mr. Thomas was deaf, as usual, to the entreaties of his audience. This evening the lovers of classical music will find their tastes consulted in the arrangement of the programme."
6)
Review: New-Yorker Staats-Zeitung und Herold, 30 July 1867, 8.
Vieuxtemps’, Strauss’ “Libelle”, and Suppe’s “Day in Vienna” were most pleasing to the audience. Schubert’s “Wanderer” enthused even more; people called for da capo. Letsch played perfectly except for the low volume. The accompaniment was stronger than the solo at times. (…)
7)
Review: New-Yorker Musik-Zeitung, 03 August 1867, 824.
The concerts here have been fairly well attended despite the inclement weather at times. Five to six novelties are in the program each night, which Thomas bought during his travels in France and Germany this summer.