Central Park Band Concert

Event Information

Venue(s):
Central Park Mall

Conductor(s):
Claudio Solomon Grafulla

Event Type:
Band

Record Information

Status:
Published

Last Updated:
21 October 2023

Performance Date(s) and Time(s)

20 May 1871, 3:30 PM

Performers and/or Works Performed

2)
Composer(s): Volkmar
3)
aka Barber of Seville; Almaviva, ossia L’inutile precauzione; Almaviva; or, The useless precaution
Composer(s): Rossini
4)
Composer(s): Thomas
5)
aka Am schonen Rhein; On the beautiful Rhine
Composer(s): Kéler
8)
aka Devil's darning needle; Sibelle
Composer(s): Strauss
9)
Composer(s): Handel
10)
aka Ocean, though mighty waste; Ocean du Ungeheuer
Composer(s): Weber
11)
Composer(s): Lentner
12)
aka Ye merry birds that sweetly sing; Ye pretty birds; Come ye pretty birds
Composer(s): Gumbert
13)
Composer(s): Lanner
14)
Composer(s): Kątski
15)
aka National pot pouri; National potpourri; National medley; National airs
Composer(s): Dodworth

Citations

1)
Announcement: New York Post, 19 May 1871, 4.

Includes program.

2)
Advertisement: New York Herald, 20 May 1871, 3.

Includes programme.

3)
Review: New York Herald, 21 May 1871, 5.

Preceded by a description of the park. “The music commenced at half past three o’clock with a grand march by Dr. Volkmar, followed by the overture from the ‘Barber of Seville.” The light and airy character of the music was well rendered by Grafulla’s excellent band, who did full justice to that masterpiece of Rossini. The following piece ‘Ye Midnight Stars’ was in direct contrast to the preceding, a slow and dignified serenade by J. R. Thomas, of the ballad style, but very melodious. The first part concluded by a waltz piece, by Keller Bella, ‘On the Beautiful Rhine,’ which was played for the first time in this country, and gave very great pleasure, being considered one of the most lovely waltzes ever produced. Part second began with a grand selection from the ‘Mantechi e Capuletti,’ or, as it is better known, the ‘Romeo and Juliet’ of Bellini. This opera, which is highly considered in Europe, has never been produced in America. The music is grand and swelling, well worthy of the beautiful theme. This piece was followed by one of Handel’s hallelujah choruses, and a fine song piece, ‘Ocean, Thou Monster,’ concluded the second part. A fine overture by Lutner opened the third part, followed by a very pretty but somewhat thin German air, ‘Liebe Vogelein,’ by Gumbert; a waltz by Lanner, and the ‘March of the Crown Prince of Prussia,’ by Hunska, were followed by the national airs, which closed the programme of the day’s music, to the satisfaction of everyone present.”

4)
Review: New-York Times, 21 May 1871, 5.

Primarily a description of the park and the crowds who attended. “The programme of the concert was a varied and well-selected one, marches, operatic selections, airs and dance music being given in about equal proportions.”