Marie Krebs Piano-forte Recital: 5th

Event Information

Venue(s):
Steinway's Rooms

Conductor(s):
Louis Dachauer-Gaspard

Price: $1.50

Event Type:
Chamber (includes Solo)

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
20 September 2023

Performance Date(s) and Time(s)

11 Feb 1871, 2:00 PM

Performers and/or Works Performed

2)
Composer(s): Mendelssohn-Bartholdy
Participants:  Frederick Bergner;  Marie Krebs
3)
aka Sing, smile, sleep; Chantez, riez, dormez; Canti, ridi, dormi; Serenade; Berceuse
Composer(s): Gounod
Participants:  Laura Hallier-Dossi
4)
aka Great; Giant; Hammerklavier
Composer(s): Beethoven
Participants:  Marie Krebs
5)
Composer(s): Nardini
Participants:  Frederick Bergner
6)
Composer(s): Chopin
Participants:  Marie Krebs
7)
Composer(s): Liszt
Participants:  Marie Krebs
8)
aka Rapidite
Composer(s): Wallace
Participants:  Marie Krebs
9)
aka Brindisi; It is better to laugh than be sighing; Drinking song
Composer(s): Donizetti
Participants:  Laura Hallier-Dossi
10)
aka Reminiscences of Rigoletto; Fantasia Rigoletto; Rigoletto fantasie
Composer(s): Liszt
Participants:  Marie Krebs

Citations

1)
Announcement: New York Post, 08 February 1871, 2.

“The class of music played at these recitals is always of interest to pianists, and Miss Krebs’s Saturday audiences are among the most critical in the city."

2)
Advertisement: New-York Times, 09 February 1871, 7.
3)
Review: New York Herald, 12 February 1871, 10.
“This eminent artist commenced yesterday another series of those classical musical matinées which have excited such interest in the metropolis. The programme was as follows [see above].
 
Passing over Mendelssohn and Beethoven, on both of whom in connection with Miss Krebs we have spoken before at length, we come to the three little morceaux of Chopin, Liszt and Wallace. The first was played, simple as it is, much better than ever we thought the pianist was capable of rendering the poet of the piano. Liszt’s beautiful melody is manifestly plagiarized from the second movement of the celebrated Hensell concerts, which Pattison has introduced into this country. The Wallace impromptu is too well known to need special comment. Suffice it to say that Miss Krebs played all three perfectly. We have heard the ‘Rigoletto’ fantasie played over one hundred times, and it is one of our favorite studies. Miss Krebs played it better than ever we heard it before. Regarding her assistants we must say that Mr. Bergner’s violoncello playing is ‘linked sweetness, long drawn art,’ without a bit of power or vigor, and Mlle. Hallier is a very good artiste as far as one can judge from two ballads like those on the programme. The lady vocalist is a very estimable lady, and, judging from the splendid style in which she rendered her selections yesterday, she must make a decided hit in a more ambitious sphere.”
4)
Review: New York Sun, 13 February 1871, 3.

“Miss Krebs gave her fifth pianoforte recital on Saturday afternoon, at Steinway’s smaller hall, playing compositions by Mendelssohn, Beethoven, Chopin, Liszt, and Wallace, and all with that faultless execution and wonderful facility that mark her performances. Mme. Hallier sang, and Mr. Bergner played the violoncello.”