Concert

Event Information

Venue(s):
Steinway Hall

Manager / Director:
Carl Bergmann

Conductor(s):
David L. Downing

Price: $.50; $1 reserved seat

Event Type:
Band

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
21 October 2023

Performance Date(s) and Time(s)

23 Nov 1871, 8:00 PM

Performers and/or Works Performed

2)
Composer(s): Auber
3)
aka Village swallows; Village swallows from Austria; Die Dorfschwalben
Composer(s): Strauss
4)
aka Dearest name
Composer(s): Verdi
Participants:  Cassie Renz
5)
Composer(s): Alard
Participants:  Theresa Castellan
6)
Composer(s): Frewin
Participants:  Jules [cornet] Levy
7)
Composer(s): Thomas
9)
aka Etoile du nord, L', overture
Composer(s): Meyerbeer
10)
Composer(s): Donizetti
Participants:  Cassie Renz
11)
Composer(s): Wagner
12)
Composer(s): Rossini
Participants:  Jules [cornet] Levy
13)
Composer(s): Downing

Citations

1)
Advertisement: New York Herald, 23 November 1871, 2.

Includes program; also included an unidentified duet for violin and cello.

2)
Review: New York Herald, 24 November 1871, 3.
“A very interesting concert was given by this well known organization at Steinway Hall last night. Commencing its career under very unfavorable auspices—namely, the want of a good director—this band has now reached a point of perfection, under the experienced baton of Carl Bergmann, that bids fair to place it, in another season, on a level with the best military bands in Europe. There were 100 performers present last night, and they formed a very pretty sight in their scarlet uniforms. There were besides, as soloists, the celebrated cornet player Levy, Miss Cassie Renz, soprano, and Mlles. Castellan and De Try, violin and violoncello. The programme, as may be seen from the following, was of a rather light and popular order, although it possessed one or two strong works [see above for program]. The band exhibited a spirit, expression and precision in all the selections that spoke well for the materials of which it is composed and the care bestowed upon its rehearsals by Bergmann. The selection from ‘Mignon’ was not well chosen, as it brought out only the least interesting parts of the opera. Miss Cassie Renz possesses a voice of great beauty and limpidity of tone, and also of extraordinary compass, but it was not with the music at times. In the ‘Caro Nome’ she marred the effect of a certain passage by trilling on the wrong note and slurring over some of the most important parts of this beautiful aria. As for phrasing, she does not seem to be acquainted with that fundamental principle of singing. The performance of the ladies who essayed the violin and ‘cello was not interesting, perhaps on account of the worthless character of the selections they played. Both ladies appeared in costumes which the bill said were Neapolitan, but they seemed to us a compromise between a vivandiere and Zerlina. Levy’s rendering of the ‘Et Inflammatus’ was truly artistic, and he should apply himself to the study of such works rather than waste his talent on trashy polkas and waltzes. The audience was very slim, but enthusiastic.”
3)
Review: New York Post, 24 November 1871, 2.

“The concert of the Ninth Regiment Band at Steinway Hall last night gave some of the best military music ever heard in New York. The audience was only half as large as it might have been, and would have been if the people had known what a treat was to be had. Without detailed remarks we call on the band to repeat the concert.”