Annual Charity Ball: 17th

Event Information

Venue(s):
Academy of Music

Conductor(s):
Claudio Solomon Grafulla
J. M. Lander [cond.]

Event Type:
Orchestral

Record Information

Status:
Published

Last Updated:
9 November 2024

Performance Date(s) and Time(s)

04 Feb 1873, 10:00 PM

Performers and/or Works Performed

2)
Composer(s): Spontini
3)
Composer(s): Verdi
4)
Composer(s): KÄ…tski
Participants:  Seventh Regiment Band

Citations

1)
Announcement: New-York Daily Tribune, 03 February 1873, 4.
2)
Article: New-York Times, 03 February 1873, 2.
3)
Advertisement: New-York Times, 03 February 1873, 3.

For the benefit of the Nursery and Child’s Hospital.

4)
Review: New-York Daily Tribune, 05 February 1873, 4.

“Grafulla’s and Lander’s bands were both retained for the evening; the former for promenade, the latter for dancing music. The programme was arranged with critical taste, as the freshness and choiceness of the music will show. The overture was ‘La Vestale,’ from Sporatini; and was followed by selections from Verdi’s ‘Aroldo’ and Konski’s March, ‘Crown Prince of Russia.’ The new waltzes, which have hardly been heard in this country before, were especially admired. Among them may be named Strauss’s ‘Fusionen,’ ‘Fesche Geister,’ ‘Bal Promessen,’ ‘Myrthen,’ and Keler Bela’s ‘Deutsche Gemuth.’ [Includes a list of the more than fifty works performed for promenading and dancing]

5)
Review: New-York Times, 05 February 1873, 1.

The decorations, names of attendees, ladies’ toilettes.

6)
Review: New York Sun, 05 February 1873, 1.

“The music was continued without interruption from ten o’clock until three this morning. It consisted of Grafulla’s band, which furnished the excitement of the promenades, and the orchestra of J. M. Lander, which inspired the dancers. The programme included five square and twenty round dances, with as many promenades.” 

7)
Review: New York Herald, 05 February 1873, 3.

“The music was furnished by J. M. Lander and C. S. Grafulla—names which have so long been familiar with elegant entertainments of this description as to need no further reference.” “In the order of dancing every other name among the composers appeared to be Strauss, in addition to whom, however, we had due contributions from Donizetti, Gottschalk, Lecocq, Neumann, Meyerbeer, Wiegand, Beethoven, Thomas, Konski, Sullivan, Schubert, Lortzing, Mendelssohn, Niebig, Hervé, Gounod, Flotow, Mozart, Massé, Truhn and Grafulla.”