Popular Concert: 9th

Event Information

Venue(s):
Young Men's Christian Association Hall

Event Type:
Chamber (includes Solo)

Performance Forces:
Vocal

Record Information

Status:
Published

Last Updated:
20 June 2025

Performance Date(s) and Time(s)

30 Jan 1875, 3:00 PM

Performers and/or Works Performed

2)
aka Guglielmo Tell; William Tell; Introduction
Composer(s): Rossini
Participants:  George Washbourne Morgan
3)
Composer(s): Verdi
Participants:  H. [tenor] Brandeis
4)
aka Jewel song; Air de bijoux; O Dieu! Que de bijoux
Composer(s): Gounod
Participants:  Anna [soprano] Simon

Citations

1)
Advertisement: New York Herald, 30 January 1875, 1.
2)
Review: New York Herald, 31 January 1875, 12.

“The ninth Saturday concert took place at this hall yesterday afternoon, the attendance being somewhat larger than on previous occasions. Mr. George W. Morgan, the celebrated organist, played the overture to ‘William Tell’ in a style that seemed to concentrate within the compass of the organ all the effects of the orchestra. Mr. Brandeis, a talented young German tenor, sang a romanza from ‘Luisa Miller’ with expression, and Miss Anna Simon’s rich soprano voice lent additional brilliancy to the ‘Airdes Bijoux’ from ‘Faust.’ Mr. W. F. Mills played one of his brother’s piano works with neatness and effect, and Miss Saidee Cole delivered some dramatic recitations in a finished manner.”

3)
Review: New York Post, 05 February 1875, 2.

"The concert [the 10th] therefore bids fair to be very much more successful than the last [the 9th], which, judging from the smallness of the audience and indifferent performances, was neither satisfactory in a pecuniary or artistic sense. The very excellent organ playing of Mr. George W. Morgan, however, was an exception, and formed the principal feature of the concert, although the instrument is small and limited in resources. Mr. Morgan contrived to make with it some novel effects, especially when in a variation consisting of very rapid runs, the carillons were employed with such art that for the first time their employment in a concert organ appeared justifiable.”