Event Information

Venue(s):
Gilmore's Concert Garden

Manager / Director:
Patrick S. Gilmore

Conductor(s):
Patrick S. Gilmore

Price: $.50; $1 extra, private box

Event Type:
Band

Record Information

Status:
Published

Last Updated:
14 July 2025

Performance Date(s) and Time(s)

13 Aug 1875, 8:00 PM

Performers and/or Works Performed

2)
aka Franc juges
Composer(s): Berlioz
3)
aka Carnival de Venice
Composer(s): Kerssen
4)
aka Joys of love; Reves d’amour
Composer(s): Martini
5)
Composer(s): Meyerbeer
6)
aka Cantique de noel
Composer(s): Adam
Participants:  Adolph Sohst
7)
Composer(s): Levy, Operti
Participants:  Jules [cornet] Levy
8)
aka Flowing Nile; Waters of the Nile
Composer(s): Strauss
9)
Composer(s): Savari
10)
Composer(s): Operti
11)
aka Star spangled banned
Composer(s): Smith
Text Author: Key

Citations

1)
Advertisement: New York Herald, 13 August 1875, 1.

Includes program; also included a concert aria by an illegible composer.

2)
Review: New-York Times, 15 August 1875, 6.

“Thanks to its highly-picturesque appearance, its myriad comforts, and its attractive music, this vast resort is almost as largely attended as when it was first opened to the public. It is certainly a delightful spot to wander in, and between the freshness, brightness, and animation of the scene, and the performances of the band, it would be difficult to name a place where an hour or two could be more agreeably spent. Friday evenings are usually set apart for thorough changes of programme, and day before yesterday a very interesting quartet for saxophones—instruments which ought to be in more general use than they are—a melodious solo for cornet (played by Mr. Arbuckle,) called ‘Rêve d’Amour,’ Adams’ fine pair of ‘Noël,’ (sung by Mr. Sohst,) a curious fantasia on the perennial ‘Carnival,’ introducing variations for a dozen instruments; a spirited march by Signor Operti, entitled ‘The American Rifle Team,’ and a new cornet solo, (‘The Marianne Waltz,’) composed by Signor Operti and Mr. Levy, and interpreted by the latter, made up the list of selections. It would be exacting to ask for fresher compositions, and when we observe that their interpretation, whether by soloists or the orchestra, was uniformly good, it will be admitted that dissatisfaction with the entertainment is hardly possible.”