Strakosch Italian Opera: Ruy Blas

Event Information

Venue(s):
Academy of Music

Manager / Director:
Max Strakosch

Conductor(s):
Emanuele Muzio

Price: $2; $1 family circle; $.50 extra reserved seat; $4 parquet and balcony, reserved; $12, $16, $20, boxes

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
4 August 2025

Performance Date(s) and Time(s)

19 Oct 1874, 8:00 PM
24 Oct 1874, Matinee

Performers and/or Works Performed

1)
Text Author: Hugo
Participants:  Strakosch Italian Opera Company;  Guglielmo Lotti (role: Don Pedro de Guerarra);  Gustavus F. Hall (role: Don Fernanda di Cordova);  Annie Louise Cary (role: Casilda);  Mme. [mezzo-soprano] Cooney (role: Giovanna de la Cueva);  Giuseppe Del Puente (role: Don Sallust de Bazan);  Carlo Carpi (role: Ruy Blas);  Vittoria Potentini (role: Maria de Neubourg);  [bass] Fiorini (role: Don Guritano);  Signor [singer] Marini (role: Usher);  [vocalist] Capra (role: Don Manuel Aria)

Citations

1)
Advertisement: New-York Times, 17 October 1874, 11.
2)
Review: New York Post, 20 October 1874, 3.

“‘Ruy Blas’ was represented for the third time at the Academy of Music last evening, and was received with great enthusiasm. The quintet in the second act, when the Queen discovers her unknown lover, and the duet of Ruy Blas and the Queen in the third act, were redamanded, and all the principal scenes were loudly cheered. Too much credit cannot be given to Mr. Strakosch for the sumptuous setting and magnificent costuming of this successful work, and for the excellence of the cast of characters.”

3)
Review: New York Herald, 20 October 1874, 7.

“Marcheti’s opera was given at the Academy of Music for the last time last night. The cast was the same as at the two previous representations, Mme. Potentini appearing as the Queen of Spain, Miss Cary as Casilda, Signor Carpi as Ruy Blas, Signor Del Puente as Don Sallust, and Signor Fiorini as Don Guritano. The performance was characterized with many additional points of excellence and the principal artists were more successful than ever. But Marchetti’s work is a musical failure, and no cast, however brilliant, can ever galvanize it into anything like real popularity.”

4)
Review: New York Herald, 25 October 1874, 12.

“Marchetti’s opera, ‘Ruy Blas,’ was presented at the Academy of Music yesterday as a matinée attraction, and it drew a very slim house. The cast was the same as on its first representation, [lists cast].”