New-Yorker Stadt-Theater Opera: La Belle H�l�ne

Event Information

Venue(s):
New-Yorker Stadt-Theater [45-47 Bowery- post-Sept 1864]

Manager / Director:
Adolph Neuendorff

Conductor(s):
Adolph Neuendorff

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
4 November 2025

Performance Date(s) and Time(s)

29 Dec 1874, 8:00 PM
30 Dec 1874, 8:00 PM
01 Jan 1875, 8:00 PM
02 Jan 1875, 8:00 PM

Performers and/or Works Performed

1)
aka Belle Helene, La; Schöne Helena, La; Schone Helena, La
Composer(s): Offenbach
Text Author: Halévy, Meilhac
Participants:  New-Yorker Stadt-Theater Opera Company;  Louise Beckmann (role: Pylades);  Lina Mayr (role: Helena);  F. [tenor] Schütz (role: Paris);  Herr [tenor] Witt (role: Menelaus);  Mrs. [mezzo-soprano] Witt (role: Parthenis);  Herr Schönwolff (role: Calchas);  Miss [mezzo-soprano] Heynold (role: Orestes);  [tenor] Rohbeck II (role: Agamemnon);  [baritone] Rohbeck I (role: Ajax II);  Herr [tenor] Lauber (role: Achilles);  Herr [tenor] Lenoir (role: Ajax I)

Citations

1)
Announcement: New-Yorker Staats-Zeitung und Herold, 28 December 1874, 5.

Brief.

2)
Advertisement: New-Yorker Staats-Zeitung und Herold, 29 December 1874, 6.

Full cast list with roles.

3)
Advertisement: New York Herald, 29 December 1874, 2.
4)
Review: New-Yorker Staats-Zeitung und Herold, 30 December 1874, 5.

“Offenbach’s beloved operetta ‘Die schöne Helene’ was first performed yesterday before a good house. ‘Die schöne Helene’ is one of those Offenbach works that enthralls and entertains not only through musical worth, but also through its plot and witty, pointed dialogue. The management has found an excellent representative of the title role in Fräulein Lina Mayr, who in both acting and singing, overshadows almost all of her predecessors. The role of ‘Helene’ gives the guest artist another opportunity to showcase her singing and her outstanding ability to portray Offenbach’s characters. Last night, almost every scene in which she appeared received thunderous applause. Herr Schütz was also superb as ‘Paris’ and Herr Schönwolff as ‘Calchas.’ The opera will remain on the stage throughout the week.” 

5)
Review: New York Herald, 02 January 1875, 8.

“‘La Belle Hélène,’ one of Offenbach’s most tuneful, most laughable and most improper works, was produced last evening to a large audience at the Stadt Theatre. The principal rôle was sustained by Miss Lina Mayr, whose fun was sufficiently broad and whose gestures were sufficiently suggestive to please the free-and-easy young gentlemen in the pit, and even made the good-natured ladies in the balcony laugh against their will. The remainder of the cast calls for no especial comment. The singing was very fair, and the acting had much of that dash and verve which we are only wont to expect from Mlle. Aimée’s countrymen and country women. There was none of the proverbial German phlegm about it. The audience relished the taking airs, broad jokes and doubtful hints with which this opera abounds, and rewarded Mr. Neuendorff’s troupe liberally with applause.”