Draper Italian and American Opera: Il trovatore

Event Information

Venue(s):
French Theatre

Manager / Director:
Henry Draper

Conductor(s):
Francisco Rosa

Price: $1.50, balcony box; $1, parquette; $.75, dress circle; $.30; $5 and $10, proscenium boxes

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
16 August 2016

Performance Date(s) and Time(s)

10 Sep 1866, 8:00 PM

Performers and/or Works Performed

1)
aka Troubadour
Composer(s): Verdi
Text Author: Cammarano
Participants:  Frida de Gebele (role: Azucena);  Leonilda Boschetti (role: Leonora);  Domenico Orlandini (role: Conte di Luna);  [tenor] Locatelli (role: Ferrando);  Giuseppe Tamaro (role: Manrico)

Citations

1)
Advertisement: New-York Times, 09 September 1866, 7.
2)
Advertisement: New York Herald, 10 September 1866, 7.
3)
Announcement: New York Herald, 10 September 1866, 5.
4)
Announcement: New York Post, 10 September 1866, 2.

"While we are waiting for the opening of Mr. Maretzek's grand season, Mr. Draper's efforts to supply the deficiency of opera deserves encouragement."

5)
Announcement: New-York Times, 10 September 1866, 4-5.
6)
Advertisement: New-Yorker Staats-Zeitung und Herold, 10 September 1866.
7)
Review: New York Herald, 11 September 1866, 6.

Il Trovatore was given at the French theatre last night by Mr. Draper’s company.  Madame Boschetti made a charming Leonora, and although it would be absurd to compare her with a dozen other prima donne whom we have heard in the rôle, still she displayed much dramatic power and careful study. Her execution of florid passages of fioriture and other rapid runs is brilliant and distinct, but she cannot hold a note for any length of time without a disagreeable hard tone being perceptible in her voice. Tamaro was far better as Manrico than in any other role we have seen him in. Judging from Martha and the Barber of Seville, we did not expect that he would make even a tolerable Troubador, but he came above that standard. The chorus was entirely inadequate in point of strength to such a work. Manrico’s army of eight and the Count’s corps of less made but a poor show in singing and tableau. The prison scene was unlike anything that Verdi ever imagined. The miserere was taken too fast and the sestette as a whole was destitute of coloring and effect. The same opera will be given on Wednesday night with an increased chorus and better arranged scenery. The orchestra, under the direction of Signor Rosa, was excellent, and the conductor deserves the highest praise for his efforts and success with such poor material.”