Niblo’s Garden: Vincent Benefit

Event Information

Venue(s):
Niblo's Garden

Proprietor / Lessee:
Henry C. Jarrett
Henry Palmer

Manager / Director:
Henry C. Jarrett
Henry Palmer

Conductor(s):
Giuseppe Operti

Record Information

Status:
Published

Last Updated:
22 October 2022

Performance Date(s) and Time(s)

24 Jun 1870, 8:00 PM

Program Details

To benefit Stage Manager Vincent. French Spy included the “Humming bird” cancan.

Performers and/or Works Performed

2)
Composer(s): Unknown composer
3)
aka Precious Betsy
Text Author: Morton
6)
aka Too much good for nature; Romeo Jaffier Jenkins
Text Author: Falconer
7)
aka Leah, a Jewish maiden
Text Author: Daly
8)
aka Jewish maiden
Composer(s): Kücken
9)
Composer(s): Musgrave
11)
aka Letzte Rose
Composer(s): Traditional
Text Author: Moore
12)
Composer(s): Unknown composer
13)
Composer(s): Unknown composer
14)
Text Author: Lover

Citations

1)
Advertisement: New York Herald, 19 June 1870, 9.

Long and complete cast list. This is Vincent’s “first benefit in eight years” and “his first and only appearance as an actor.”

2)
Advertisement: New-York Times, 20 June 1870, 7.
3)
Announcement: New-York Daily Tribune, 21 June 1870, 5.

High praise for Vincent.

4)
Advertisement: New York Herald, 24 June 1870, 12.

Program. Full cast list.

5)
Review: New York Herald, 26 June 1870, 5.

Burns’s “rendering of the ballad, ‘The Jewish Maiden,’ was very affecting.” No further mention of music.

6)
Review: New-York Times, 26 June 1870, 4.

No mention of music.

7)
Review: New York Clipper, 02 July 1870, 102.

Long review. “…The whole entertainment was very pleasing and charmingly rendered, but the audience did not seem to be of the class who appreciate music, as was shown in a very marked manner later in the evening, when the infant wonder, James Speight, announced upon the bills as two years and ten months old, which his appearance did not belie, appeared to perform a solo on the violin. For his accommodation a temporary platform was erected in the orchestra immediately left of the conductor’s seat, and the little fellow, scarce three feet high, with a bright, handsome, intellectual face, was led on by his father. He played the ‘Blue Bells of Scotland’ first, as written, and then with variations, sufficiently difficult to test a violinist of much practice. He was encored, when he gave ‘The Last Rose of Summer.’ His execution is wonderful. He has great confidence and plays with all the ease of one who has been long in the habit of appearing in public, this being only his third appearance before a public audience. Harry Josephs then appeared in female attire and sang ‘Central Park’…”