Theatre Comique

Event Information

Venue(s):
Theatre Comique [1867- : 514 Broadway]

Proprietor / Lessee:
Robert W. [manager] Butler
E. G. [manager] Gilmore

Manager / Director:
Robert W. [manager] Butler
E. G. [manager] Gilmore

Conductor(s):
David Braham

Event Type:
Variety / Vaudeville

Record Information

Status:
Published

Last Updated:
15 August 2023

Performance Date(s) and Time(s)

03 Apr 1871, 7:30 PM
04 Apr 1871, 7:30 PM
05 Apr 1871, 7:30 PM
06 Apr 1871, 7:30 PM
07 Apr 1871, 7:30 PM
08 Apr 1871, 7:30 PM

Performers and/or Works Performed

4)
aka Jeems the poet
Text Author: Leavitt, Egan
5)
aka Clog reel
Participants:  J. H. Milburn

Citations

1)
Advertisement: New York Herald, 02 April 1871, 4.
2)
Announcement: New York Clipper, 08 April 1871, 6.
3)
Review: New York Herald, 09 April 1871, 9.

“The performance at this theatre last evening was well attended, as might be expected on a Saturday night with such a varied and interesting bill of fare as that which was presented. Lovers of the negro minstrel art were well provided for by the funny antics of Ashcroft and Morton, who, as usual, threw themselves into all sorts of attitudes in perfect harmony with the music of the orchestra. ’Jeemes the Poet’ was gone through with in the customary good style, and the ‘great Milburn’ appeared in his sketches and characters, concluding with his famous clog dance, to the entire satisfaction of every one. Hughey Dougherty was good, especially in his ballet dance. ‘Mad as a March Hare’ concluded the performance , and was pleasantly rendered in all its parts.”

4)
Review: New York Clipper, 15 April 1871, 14.

“…with the rest of the ballet, danced in admirable precision of time and grace of motion to the music of Braham’s orchestra, which is a good one.” “M’lle Tarelle, a pretty and pleasing cantatrice, with a voice full of melody, sang several operatic airs, in an easy, simple style; all the more gratifying, therefore, and far superior to most of our concert cantatrices with high sounding names, who seem to sacrifice chord, time and all the attributes of harmony by demi-semi-quavering the scale, in the upper register more particularly, and call that music. M’lle Tarelle is not one of these. We think, however, that the concert boards, not the stage, is her forte, as miscellaneous audiences usually prefer the comic or dashing style, rather than the sentimental.” 

5)
Announcement: New York Clipper, 15 April 1871, 14.

William Ashcroft’s marriage to Kate Brooke on April 9.