Naiad Queen

Event Information

Venue(s):
Niblo's Garden

Conductor(s):
Giuseppe Operti

Record Information

Status:
Published

Last Updated:
11 February 2024

Performance Date(s) and Time(s)

26 Feb 1872, 7:45 PM
27 Feb 1872, 7:45 PM
28 Feb 1872, 7:45 PM
29 Feb 1872, 7:45 PM
01 Mar 1872, 7:45 PM
02 Mar 1872, 2:00 PM
02 Mar 1872, 7:45 PM

Performers and/or Works Performed

3)
Composer(s): Wallace
Participants:  Kate [actress] Santley

Citations

1)
Advertisement: New York Herald, 25 February 1872, 8.

Complete cast.

2)
Advertisement: New-York Times, 26 February 1872, 7.

 “with all the artists and features of The Black Crook.”

3)
Review: New York Herald, 27 February 1872, 6.

“The music has also been partly changed, and the novelties were singularly successful.”

4)
Review: New York Post, 27 February 1872, 2.

The withdrawal of the ‘Black Crook’ at Niblo’s is a withdrawal only in name. In its successor, the ‘Naiad Queen,’ all the best effects of scenery and the most salient of the miscellaneous stage attractions are retained.” “Miss Kate Santley, as the Queen, sang several airs from Wallace’s ‘Lurline.’ She was ably supported by Mr. Matthison, whose well-cultivated voice should have been heard oftener during the evening in the solos which he can sing so well.

5)
Review: New-York Daily Tribune, 27 February 1872, 5.

“Miss Kate Santley appeared as the Naiad, and sang in a manner to indicate the decidedly pernicious effects of a humid atmosphere constantly at work on the feminine voice.”

6)
Review: New-York Times, 28 February 1872, 5.

“A good deal of fresh music is introduced and is capitally interpreted by Miss Kate Santley, whose sweet voice and personal charm, even in her present thankless role, produce a most agreeable impression; and by Mr. Arthur Matthison, whose singing affords constant evidence of culture and taste.”

7)
Review: New York Clipper, 09 March 1872, 390.

“The original dialogue of the drama had been curtailed and it was only used as a vehicle to the presentation of the introduced attractions of the ‘Black Crook.’