Venue(s):
Steinway Hall
Price: $1
Status:
Published
Last Updated:
1 May 2025
“A concert at Steinway Hall, last evening, introduced to the public Miss Anna Bock, a young girl about fifteen years of age, who gives promise of becoming an excellent pianist. We speak of her performance as one of promise rather than of achievement, for while Miss Bock showed great technique, and unusual strength and endurance, she did not betray in her readings either the clear insight into the spirit of the subjects set down for interpretation, or the easy command of the keyboard we should expect from a mature artist. The young débutante played exceedingly well, however, and having reached so advanced a stage in a pianist’s career as to be able to execute correctly and brilliantly Beethoven’s ‘Appassionata’ sonata and Liszt’s arrangement of the waltz in ‘Faust,’ it is plain that her future can be looked forward to with confidence. Miss Bock, who was cordially received and much applauded, had the co-operation of Messrs. Remmertz, Von Inten, and Brandt, and that of Miss Rosburgh. Miss Rosburgh, who sang the ‘shadow’ song from ‘Dinorah,’ and some variations by Vaccai, has exceptional powers of execution, but her voice is colorless and her delivery only marked by fluency. To render the notes of the ‘shadow’ song as faithfully as Miss Rosburgh rendered them is to do wonders. It is a pity we should have to say no that delivery of the air could be more devoide of expression and nuancé.”
“Miss Anna Bock, a young pianist, pupil of Mr. Von Inten, gave her first concert on Tuesday evening at Steinway Hall. She had the assistance of Miss Ida Rosburgh, Mr. Remmertz, Mr. Brandt, Mr. Verner, Mr. Von Inten, and Mr. Bialla, and the encouragement of a very large and cordial audience. We are informed that she is only fourteen years of age. Certainly we have heard no juvenile pianist whose promise is more brilliant and whose present performance is more satisfactory. Her style is remarkably broad and free for a girl of such tender years; her touch is vigorous; the movement of the wrist is unconstrained, and unlike most young players she has an excellent command of the left hand. We do not expect a very thoughtful or poetical interpretation of the great composers from a child; but we can heartily praise Miss Bock’s rendering of Beethoven’s ‘Sonata Appassionata,’ not only for its force and technical merits, but also for its sentiment.”