Philharmonic Society of New York Rehearsal

Event Information

Venue(s):
Academy of Music

Conductor(s):
Carl Bergmann

Event Type:
Orchestral

Record Information

Status:
Published

Last Updated:
13 September 2025

Performance Date(s) and Time(s)

04 Mar 1870, 2:30 PM

Performers and/or Works Performed

2)
aka The President’s March
Composer(s): Phile
Text Author: Hopkinson
3)
Composer(s): Schumann
4)
aka Freischutz, Der. Und ob die Wolke sie verhülle; And even if clouds; Agathe’s prayer; Preghiera
Composer(s): Weber
Participants:  Emily [soprano] Davison
5)
aka My mother bids me bind my hair
Composer(s): Haydn
Participants:  Emily [soprano] Davison
6)
Composer(s): Rietz
7)
Composer(s): Gotterman
Participants:  Frederick Bergner
8)
Composer(s): Beethoven
9)
aka The Magic Flute; Zauberflote, Die
Composer(s): Mozart

Citations

1)
: Strong, George Templeton. New-York Historical Society. The Diaries of George Templeton Strong, 1863-1869: Musical Excerpts from the MSs, transcribed by Mary Simonson. ed. by Christopher Bruhn., 05 March 1870.

“Dr. Doremus, who has been very civil to me of late, was kind enough to send me a proscenium box for yesterday’s Philharmonic rehearsal. So with Ellie, pretty Miss Margaret Taylor, & the boys, heard the Zauberflöte overture, a stupid Schumann overture “to Genoveva,” and the immortal C minor symphony. As we sat within arms length of the double basses, the ensemble was rather cloudy sometimes. Had we not known Mozart’s & Beethoven’s music by heart, the performance would have been somewhat obscure. I felt like one examining a great picture with his nose flattened against the canvas. Mrs. Emily Davison sang Agatha’s scena in Der Freyschutz & (on the encore) Haydn’s beautiful song, “My mother bids me bind my hair,” which I never heard before. She did both charmingly. But she has not force enough for the scena. Who has? Seward (“Wandering Willie,” the world calls him) was in the house, lo the “exercises were opened” with Hail Columbia, which the orchestra played extemporaneously & without any score before them, but smoothly & all together. This seemed to me a remarkable feat, but perhaps it is not. There was also a heavy quintette by Rietz & and dull ‘cello solo (Bergner) by one Gotterman. Bergner is quite ill & hardly able to play at all.”