Richings English Opera: La sonnambula—Caroline Richings Benefit

Event Information

Venue(s):
Olympic Theatre

Manager / Director:
Caroline Richings

Conductor(s):
William G. Dietrich [cond.-pf-dir.]

Price: $1.50 orchestra chairs; $1 balcony chairs; $.75; $.50 family circle

Event Type:
Opera

Record Information

Status:
Published

Last Updated:
5 September 2018

Performance Date(s) and Time(s)

18 Jan 1867, 7:30 PM

Performers and/or Works Performed

1)
aka Sleepwalker; Nachtwandlerin
Composer(s): Bellini
Text Author: Romani
Participants:  Richings English Opera Company;  Richings English Opera Orchestra;  Richings English Opera Chorus;  Mrs. Boudinot (role: Teresa);  James A. [bass] Arnold (role: Alessis);  William Castle (role: Elvino);  Sherwood C. Campbell (role: Count Badolpho);  Caroline Richings (role: Amina);  Mrs. J. A. Arnold (role: Liza)

Citations

1)
Advertisement: New York Herald, 18 January 1867.
2)
Review: New York Post, 18 January 1867.

“The English opera, at the Olympic, has been fairly patronized. The benefit given last evening to Miss Caroline Richings was a substantial one, as it ought to have been.”

3)
Review: New York Herald, 19 January 1867, 4.

“Miss Caroline Richings’ benefit took place at the Olympic theater last night, and a large audience testified the public’s appreciation of the talented directress of the English opera troupe. We have seldom heard her sing so well as in the charming, ever popular Sonnambula, and her Amina was greeted with well deserved applause. Castle’s Elvino and Campbell’s Count Badolpho were excellent also, and the amusing Alessis found a fitting representation in J.A. Arnold. The parts of Teresa and Liza are generally entrusted to weak, inefficient voices, but Mrs. Boudinot and Miss Arnold were of a different stamp, and gave unqualified satisfaction. The opera on the whole was the most successful of the season. We earnestly hope that this last attempt to establish English Opera in this city will prove successful, as it deserves. To give a different opera every night in the week and a matinee besides is a severe test of the powers of a troupe, and the present one so far has stood it well.”