Thomas Sunday Evening Concert: 24th

Event Information

Venue(s):
Steinway Hall

Manager / Director:
Lafayette F. Harrison

Conductor(s):
Theodore Thomas [see also Thomas Orchestra]

Price: $.50; $1 reserved

Event Type:
Orchestral

Performance Forces:
Instrumental, Vocal

Record Information

Status:
Published

Last Updated:
12 March 2018

Performance Date(s) and Time(s)

10 Feb 1867, 8:00 PM

Performers and/or Works Performed

2)
aka The Standard Bearer; The Standard Watch; Der Fahnenträger; Der Fahnen Träger; The Warrior Bard
Composer(s): Lindpaintner
3)
aka Drommebilleder; Dromme Billeder ; Traumbilder ; Visions in a Dream; Pictures of dreams; Frambileter; Fraumbileter; Cloud pictures; Dissolving views; Nebelbilder
Composer(s): Lumbye
4)
aka On mighty wings; On mighty pens; Dove aria; Schopfung. Auf starkern Fittige schwinget sich der Adler stolz
Composer(s): Haydn
Participants:  Euphrosyne Parepa
5)
aka I cannot sing the songs of old
Composer(s): Barnard
Participants:  Euphrosyne Parepa
6)
Composer(s): Bach
Participants:  Euphrosyne Parepa
9)
Composer(s): Liszt
Participants:  Sebastian Bach Mills
10)
Composer(s): Bach
Participants:  Carl Rosa
11)
Composer(s): Beriot
Participants:  Carl Rosa
12)
Composer(s): Weber
13)
aka introduction; Loreley
Composer(s): Wallace
14)
aka Blitz, Der ; Eclair, L'
Composer(s): Halévy
15)
aka Drommebilleder; Dromme Billeder ; Traumbilder ; Visions in a Dream; Pictures of dreams; Frambileter; Fraumbileter; Cloud pictures; Dissolving views; Nebelbilder
Composer(s): Lumbye

Citations

1)
Advertisement: New York Herald, 08 February 1867, 1.

Includes program.

2)
Advertisement: New-York Times, 10 February 1867, 7.
3)
Review: New York Herald, 11 February 1867, 5.

“The twenty-fourth of Mr. Harrison’s Sunday concerts at Steinway Hall last night showed no diminution either in number or appreciation on the part of the audience.  The hall was crowded and the encores frequent. The orchestral parts of the programme comprised the Euryanthe and Lurline overtures, the Standard Bearer and Visions in a Dream, and were finely played. The vocal selections embraced ‘On Mighty Peres,” from the Creation, Claribel’s beautiful ballad, ‘I cannot sing these old songs,’ a sacred German song by Bach with Mr. Bergner’s violoncello obligato and Gounod’s Ave Maria with Mr. Mills at the piano, Carl Rosa, violin, and Mr. Colby at the organ. The singing was deserving of the highest praise; Rosa seems to gain more finish and mastery of execution and tone and Mills proved himself as usual worthy of the high position he has won among American pianists. No wonder with such artists and such a programme that these concerts should be so successful.”

4)
Review: New-York Times, 11 February 1867, 5.

“The twenty-fourth Sunday concert last night brought out the usual brilliant audience, notwithstanding the cold and the wind. Mlle. Parepa, Mr. S. B. Mills, Mr. Carl Rosa, and Mr. Theodore Thomas and his orchestra were the artists who officiated on the occasion. It is needless to speak of their efforts. Everything passed off in the best possible manner.”