Venue(s):
Academy of Music
Manager / Director:
Leonard Grover
Conductor(s):
Carl Anschütz
Price: $1 parquet and dress circle; $1.50 reserved seats; .50 family circle; .25 amphitheatre; $2 secured boxes
Event Type:
Opera
Status:
Published
Last Updated:
11 March 2014
OPERA ALLEMAND.
“Martha is one of the most charming operas of the Italian repertory. In French and in German, Flotow’s work has obtained the same success. The melody is always flowing and uninterrupted, and without being deep or very knowledgeable, the orchestration is full of pleasant details and patterns. Easy to understand, this music is a veritable tranquility for the ear.
Justice must be rendered to the German artists who interpreted Martha outstandingly the evening before yesterday. We have rarely seen a better ensemble. Mme Johannsen is an accomplished musician. Sometimes, you feel that her voice is tired, but she has a great feeling for nuances, she sings accurately, she spins out a sound to perfection, and she was justly applauded in the celebrated cantabile in the second act. Mme Frederici, to whom the role of Nancy was consigned, revealed to us a voice of extraordinary range. She possesses an excellent low register, and what is rare for this type of voice, she passes from the contralto notes to the soprano ones without effort, and without losing the power in the middle range in the least. She’s also a charming comic actress.
M. Habelmann has grown considerably since last year. Endowed with avery pleasing voice, he made a very good Lionel. His one failing is that he doesn’t know how to sustain a sound and forces the high notes too much. We’re not picking a false quarrel here; a little bit of work would give his voice more range and he would learn how to control it better. His progress empowers him to hope that he can do still more.
M. Steineke is less favored by Nature than M. Habelmann as to his voice, but he’s a good comic actor full of happiness and good nature. M. Graff won applause in the ill-favored role of Sir Tristam.
The orchestra and chorus were perfect. It was impossible to play the overture of Martha better than it was played Wednesday under the baton of M. Anschutz. The performance the day before yesterday was therefore remarkable in all aspects, above all for the ensemble, and we regret that M. Grover can’t give Flotow’s opera a second time.”